Set in the 16th century Netherlands, the fierce cloud follows a bold inventor who is bound by the crushed weight of the patriarchal system. Her fundamental freedoms, which she is confined to society, are trapped in a marriage she is spiing, and Ailey must secretly contemplate the mystery of her aviation. When her husband arrives at home with an exotic new slave, his suffocating erotic attention is delighted to detour, and Amery reveals the principles that lead to a hot air trip, suffering from her place in a struggling home.
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Raging Cloud is a book on sexual, mental, intellectual and physical oppression. For this reason, this book has an almost transcendent moment of existence.
The book is presented as something of an erotic lesbian drama that promises a kind of freedom of love and desire, but the truth is that the lightness of existence comes from the moment of intellectual epiphany. All of its genders barely happens in the story (though they do exist). This is a story about learning, if not entirely scientific.
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The relationship between Amery and her husband’s tragic slave female Sahara is filled with necessary tension, but eventually the two become necessary friends by solitary despair. The transformation into rivals and friends is rough. In one crushing scene, Amélie faces the fact that she spends months with a woman and has never asked her name.
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Many of the books are airless, as we sometimes feel, and are raised high in their light spaces by the perfect cartoons of Korean artist Yuduri. It is a deep European cartoon, and although the 16th century Netherlands feels as western as the medium can stretch, it retains the wide open, technically accurate style of its aesthetic ancestors. The pages pass through with sparse but beautifully rendered Esoterica. Yudri is adept at expressing the inner light of her character, and the lack of ferocious clouds without that inner light would be quite different and less creation.
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All this means that the raging clouds are very unique and feel the work of a singular voice. Even if you fall into cartoon convention, it surpasses your peers and creates something truly personal, indicted with introspection and historical pressure. It moves in its insanity, soaring into its oppression, overcoming its stylistic limitations.
“Strong Clouds” is a unique task of oppression and lightness of existence
The raging clouds
Under patriarchal pressure in the 16th century, intense clouds discover moments of human lightness seen in scientific curiosity.
It was beautifully drafted.
Emotionally touching.
Introspective and powerful.
