Who are the freshwater killers? What do they want? And what does it have to do with Oliver Queen’s past? These were all questions I was left with after a fantastic first issue when writer Chris Condon and artist Montos began their story with The Emerald Archer last month. Senator Foley’s death not only gives Ollie a new friend, but also gives him his first lead role in this mystery.
Detective Benitez and Ollie are a very interesting pairing. Ollie’s…time around the sun is shown here and there, but his experience as a crime fighter seems to help her fill in clues to things she might not have otherwise connected. . That being said, the two men couldn’t seem to have more different beliefs about the criminal justice system and the concept of justice. And their ideological differences couldn’t be more perfect at this point. Comics, especially those featuring Green Arrow, have always been political. And it is always useful to start a conversation about the world and how to properly improve it.
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Here, Condon does a great job of contextualizing real-life tragedies and injustices into a fantasy world where cloaked crusaders with scars on their shoulders strive to make the world a better place. Masu. Because many of Oliver’s arguments are just endless political arguments, he continues to be a character with more depth and integrity than most. It’s clear that he cares about the “little guy,” so in addition to the mysterious supervillains inflicting crime on the city, he always thinks about who is systematically wronging them. This makes him a more complex character. Overall, this issue is very well written and does a good job of balancing heavy political discussion with the fantastical world of superheroes.
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Just like the previous issue, this issue is a perfect thriller mystery book from cover to cover. Montos presents another great issue while colorist Adriano Lucas adds the perfect punk rock color. Not only does Montos do a great job of leveraging page space to make complex panels easy, he also translates them perfectly. One moment you might be focused on an argument in your car’s rearview mirror, the next you might be staring at a creepy mansion. It’s amazing how well this panel layout pulls the focus away from the overall page and helps the reader pay attention to each moment as it happens.
This narration helps give the book a solid pace throughout. Lucas also helps bring Montos’ work to life through sharp coloring. Scenes like the parked cars feel very creepy and eerie, while the suspenseful action scenes are just as mesmerizing as watching them unfold before your eyes. Overall, Lucas does a good job of matching the tone of the book with the thoughtful coloring. What’s more, this issue is stunning from cover to cover, with vibrant line art, creative panel layout, and vibrant colors to keep the reader’s attention.
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Green Arrow #19 brilliantly picks up where the previous issue left off, maintaining the plot while adding a layer of real-life honesty to the story. So far, this has all the signs of being one of the Green Arrow stories. Condon does a great job crafting a new story that takes Oliver in a different, more grounded direction, while also making it easier for readers to relate to. By filling the story with serious problems in the world. With the help of the brilliant minds of Montos and Adriano Lucas, this idea becomes even clearer. All in all, this is another slam dunk story that readers will be glad to have picked up before the end of the year.
“Green Arrow” #19 Review
Green Arrow #19
Chris Condon, Montos, and Adriano Lucas give the series a detailed, complex, and mysterious direction that continues to show just how fascinating Green Arrow can be. It’s a great continuation of his return to basics.
The pace from the previous issue continues and accelerates at an appropriate pace.
This story provides an interesting discussion of what justice means
Montos and Adriano Lucas present another great story that perfectly fits the theme
