The Riddler has taken control of a huge corporation and is up to something, James Gordon appears to have committed murder, and the cover of Batman #155 hints at the return of the Court of Owls. It’s just another day for Batman, but it’s decidedly more complicated than usual! Writer Chip Zdarsky’s final story arc, this week’s edition, explores how James Gordon mixed things with blood on his hands. This is an episode focused on bottles.
Batman #155 focuses primarily on Gordon, with Jorge Fornes joining the story and dramatically changing the tone and visual aesthetic. The plot continues to progress with subplots, but this is mainly about how Gordon ended up with the mayor’s wife and how he actually committed the cold-blooded murder.
The issue begins 13 weeks before Batman’s breakup with Gordon, who is upset by the fact that James killed someone. Gordon is currently working as a civilian surveillance officer, doing the depressing job of following people who are having an affair. She will soon meet the late mayor’s wife, ten weeks before his death.
James, what are you getting yourself into?
Credit: DC Comics
This turn of events is quite shocking, especially for Gordon, but it’s also believable. The story has a goofy detective quality to it that unfolds as tragically as any film noir. If you’re shocked by his actions, know that there’s a pretty good explanation woven into some good detective work.
Outside of Gordon, Zdarsky investigates Bruce’s ongoing troubles with his so-called brothers who demand half of his fortune. Commander Star, Gotham’s new superhero, is as alt-right as ever, putting a political, modern twist on the terrifying “hero” character.
This issue has a stronger noir vibe, thanks to Fornes’ art, which has a more vibrant, realistic style and stable layout structure. For example, a 9-panel grid comes into play. The melodrama of Gordon falling in love with a “woman” is well expressed in Gordon’s facial expressions. Even though he is doing all his work, he ends up giving his heart to this woman.
Batman #155 goes sideways to analyze how James Gordon was able to kill people in cold blood and turn Batman’s world upside down. Although shifting the focus away from the Riddler and Commander Starr feels a bit tiresome, it’s nice to see the series delve into subplots as the Riddler’s intervention continues to wreak havoc on Gotham.
“Batman” #155 gives off a noir detective vibe.
Batman #155
Batman #155 goes sideways to analyze how James Gordon was able to kill people in cold blood and turn Batman’s world upside down. Although shifting the focus away from the Riddler and Commander Starr feels a bit tedious, it’s nice to see the series delve into subplots as the Riddler’s intervention continues to wreak havoc on Gotham.
The focus on James Gordon adds depth and complexity to his character, delving into his motivations and inner turmoil.
Jorge Fornes’ realistic and vibrant art style, including the use of a nine-panel grid, effectively supports the melancholy and tragic atmosphere of the story.
Detours from the main plot involving the Riddler and Commander Starr may be off-putting or frustrating to some readers.
The “falling in love with a woman” subplot, while well-developed, relies heavily on noir clichés.
