Bring Susan Lomond’s head
Manga artist: Connor b
Publisher: Silver Sprocket / $11.99
February 2025
The eerieness is disregarded as Monroe Pool. When she says something like bringing Susan Lomond’s head, she means that. She attempted bombs, pits, lightning, and creative acts of crazy science. Don’t call it a high school story, Connor B’s comic is a race between a soccer star and an evil genius. But he’s bold enough to attempt a murder.
This is for fun in manga. Harvey and Goldkey Comics readers. The charm of the recurring characters from the back page of Li’l Abner, not the golden age face of the small dotted bean shaped we consider from the cover. To design mascots and do other professional illustrations, strangely sharp and oddly dark pieces were made to achieve their goals. Yes, there’s a clear comparison of Adams’ family, but there are also bohemian satire Charles Adams’s companions, like Jules Faifer. It’s a Joule-like joke when Grandma is free to see her uncle being deprogrammed in the basement and instead to watch the soap opera. There is a baseline of vintage violence, but B’s work is definitely starting today. Monroepool, like everyone else, spends too much time on the internet.
Pool speaks like a Precode Hollywood villain, and her date to Prom is a vibrant statue after a brain transplant from Monroe’s late uncle Nero. However, it appears they are unaware of the mysterious events rather than the way they hold an after-school event. Threatment to stop prom is not a manga, it is property damage. Zanness met with not being made entirely in the very rocky bullwinkle way. B’s heavy contour/heavy drawing style is a way to evoke the Super Mutan Magic Academy, taking the normality of the oddity that its settings require, among other things, from precise marks to chunky basics. The B world is more mundane, allowing for the reality, relevance in the way Poole and Lomond act with each other. Connor B seems to think that embarrassment is more strange than slapstick.
Bring Me The Head page.
The Golden Age comic, nurtured by long-term strips, has the same sensibility as Susan Lomond, dropping props, but it didn’t stop. They feel more cartoon than cartoon. The strip ends with a joke, but in the comic version, the story continues and the gags continue. Continuous banter, so many times you don’t even stop to admit them, and it’s also cartoons. In fact, the discarded gags are incredible. Half the fun of reading is that kids should make basketball jokes. Why are you alive? As Moore is speaking, the problematic speech balloons are dispersed like Humetti, waving in front of his face. Susan Lomond is hoping you’ll be paying much more attention, so it can fit into more jokes, so you can handle the standalone story as you tune from mid-season tonight’s episode Masu. B is as fast and redundant as Rooney’s songs, and is consistently broken from the pursuit of the plot to break one liner. But, along with the pool, the joke can be fatal. It’s lively and packed, but still doesn’t feel overbuilt or manufactured. Despite being a paranormal, it still feels normal. B gives the reader everything.
Well, a very good face is one of my favorites in the manga. And I don’t mean a realistically rendered or oversold gloss-out insert shot. It’s hard to put my finger on what it is, but the comics can take me with the character looking goofy or being plundered or shocked. The difference between being silent and losing words. Bringing Susan Lomond’s head is a nice face comic. You don’t have to like things just by the value of the story, whether it was good or not, where it went. Attractive moments everywhere become undeniable, as they are inexplicable, connections that go against the faces of the crowd, that go against the description, or come from the very inside. I generally like the art vibe, Kidcore, but the reading is full of comic-level transcendental reactions of breaking masks – comic-level breaking masks. The Monroe Pool passes it and the reader can feel it.
Old school newspaper Susan Lomond was full of characters who were hit on the foot on the final panel, or let your hat fly. Reading in 2025, Susan Lomond cut a reaction shot. A silent beat that speaks volume. It creates a powerful little moment, slaps the end of a joke, and gives way to the story. Timing is important for humor, and B gets it. Thinking of comics as images of order often leads to talking about film theory. Editing in movies allows creators to manipulate timing and produce humor. And Susan Lomond is static and unable to force the reader’s pace, but is cut into the next shot that jokes. Readers see some of the stories’ stuff long before the genius does (Heck, Giraffe can say).
Bring Me The Head page. A single panel comic by Merlazaro’s Philo.
B is very good at telling you how the main character hared. All the pool plots and deceptions are not so sleepy. She is unleashed as the book progresses. I think it helps to justify serious feelings of flooding in the prom. Fatigue and tension are recognized as authentic despite the book’s cartoon-style styling. The incredibly friendly comedy fatigue. The story of rivals’ hostility due to lack of sleep and losing all other grips goes without saying that Connie Willis’ dog. The old-fashioned, flowery, and endless self-release of the pool will be at home with a boater skiff floating down the river on the holidays.
Also, is this book for kids? I can see it when the characters and plots are isolated from the run and tones, the young hero, the prom, and the emotional growth opens the locked door. There are free supplementary materials online for classrooms (I created some of them for improvised home classrooms in the 2020 lockdown). Everyone told me this book was for kids. Plus, we portray things for kids and things for adults by publishers, but if it’s from YA Publishers, it’s a YA book, right? Is it because instead of having the comics defined as art forms, there is a commercialized definition of art? perhaps. I remember when I made the mistake of making the book Silver Sprocket for kids, it was financially and socially dangerous. Still, we are entering an age where we can be culturally recognized as the best adult reading that offers books, and it is the best book for younger readers. Art may come first, and the editing category will be second.
So. Susan Lomond is a fascinating creature. A throwback that could not be further locked up by the jittegaist. We hope that our devoted readers will be fully involved in its serious and absurd storytelling. Apparently not made for me, but it is totally mine. I usually like when I feel like I know that one episode, which the story I’m reading, is drawn from a deep episode of the season, has nothing else than one comic. But in this case, I want a sad girl space lizard treatment. Please give me your sketchbook supplement. Your character development doodle. No more talk, but give me more moments. Taking Susan Lomond’s head with you is the perfect amount for a cartoon. It’s not enough.
The Bring Me Susan Lomond head is available from Silver Sprocket.
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