The latest collaboration between writer Alisa Kwitney (The Sandman Presents, GILT) and artist Maurice (Star Wars Adventures, GILT) is the new five-issue series HOWL, released by AHOY Comics. Masu. Described as “The Marvelous Mrs. Maisel and the Invasion of the Body Snatchers,” the story is set in Greenwich Village in the late ’50s, where an artistic, free-thinking bohemian, perhaps slowly -This is a story about what happens when people are replaced.
Howl cover A by
“I came across this series as someone who loved Roger Corman’s 1959 film ‘Bucket of Blood’ and wondered when someone would do a feminist version of the ‘frustrated beatnik on rampage’ trope.” ,” said author Alisa Kwitney. “This may be my most personal work to date, because my mother and father are science fiction writer Robert Sheckley (former editor-in-chief of Omni and author of The Tenth Victim). Because it is loosely based on my mother’s stories and letters about the time she lived in the village with Douglas Adams (“Unknown Influence on Douglas Adams”). Mixed in with all this family legend is my lifelong love of Pod People stories, especially all versions of Body Snatchers, Starman, and The Thing. ”
“This is not my first collaboration with Alisa, but it is definitely my most complete and ambitious work to date,” said artist Maurice. “As an artist, I love to be pulled out of my comfort zone and challenged, but well, here I am on a real adventure! From the conservatism of the 1950s to the turbulent 60s HOWL was really great at trying to accurately represent this strange period leading up to the early 2000s without falling into clichés. Horror was a genre that I didn’t like at first, but Alisa convinced me that I was capable of it, and it turned out that she was right, and without even realizing it, I had this genre in me. The main influence was probably John Carpenter’s The Thing. How useful, as you’ll see if you try our book!”
“In the ’50s, the reputation of being down-to-earth, conformist, and wealthy probably comes from the sitcoms. Oh, it definitely comes from the sitcoms, because you could watch Leave It to Beaver and Naked Lunch at home. ,” says editor Tom Pyer. “In ‘HOWL,’ Kwitney and Morissette reveal essential truths about this fascinating era: a time of change and fear, danger and strangeness as much as any other moment in American history.” It was a bubbling cauldron.”
It’s solid, right? Here’s an overview:
In most parts of America in the late 1950s, B-movies warned of flying saucers and alien invasions, while Senator McCarthy hunted down communists and teenagers flirted at drive-ins. was. But bohemian Greenwich Village is a different story. There we find members of Scylla, a boys’ club of brilliant science fiction writers and editors, among turtleneck-wearing, sandal-wearing, reefer-smoking freethinkers, intellectuals, and artists. But even as these futuristic people sip cocktails and spin stories about life on other planets, they realize that real aliens already exist among us, planting the seeds, or rather spores, of their empire. I don’t doubt that.
Ziva Rodblatt, a 23-year-old beatnik and proto-feminist, has no thoughts of aliens. She is too busy trying to keep her mother from finding out that she is living with her boyfriend outside of marriage. However, she begins to have doubts when her boyfriend is under the influence of celebrity therapist Myrtle Morel. Why does Bart sneak out before dawn to meet strangers? Why does he suddenly like cream of mushroom soup? And Ziva isn’t the only one who believes she’s living with someone who looks familiar but is undeniably and disturbingly different. Suddenly, many writers, artists, and musicians seem to have fallen under Myrtle’s spell. But what can this energetic young college dropout do to prevent an alien invasion?
Finally, I’ll show you some preview pages and panels.
“You could say I’ve recycled the ‘aliens among us’ metaphor to reflect my own concerns,” Kwitney added. “The widespread fear of the 1950s was of a fifth column of nefarious outsiders masquerading as one of us. After years of dealing with dementia in my family, I realized that someone was a stranger to I wanted to explore the psychological fear that arises when you see something change so drastically that it seems so.I can’t take horror head-on, so I like to present it with humor. In other words, it’s the jelly shot method.
“This series, for me, definitely encapsulates the beauty and magic that a true collaboration should always be,” Maurice added. “Alyssa and I just click. It all looks like a dance where each dancer knows the steps the other dancers are going to take. And being able to work together again under the AHOY banner feels like the best part of my 30-odd year long career. I hope all readers will enjoy it as well. That’s certainly true. ”
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Something like this:
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