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A few quiet years later, British publisher Jonathan Cape took over the top floor of Foles’ flagship bookstore in London on June 21, presenting a special day with Allison Beckdel showing off their latest graphic novel and its author.
Allison Beckdel’s headline talk sold out completely, and Stragglers must stand up – Photo credit: Dean Simons
Jonathan Cape is a staple of the British graphic novel scene. The eclectic literary publisher led the way to variations in British form by first publishing Home Glow talent, while introducing internationally approved jobs to build a highly successful line in the UK. Known international names published in the UK by Jonathan Cape include Beckdel, Marjan Satrapi, Chrisware, Duncrows and Joe Sacco.
Before the Penguin’s Random House Imprint even committed to the idea of a 1990s graphic novel, Jonathan Cape published some of the earliest modern examples in the UK. In fact, three founding names in the British graphic novel movement – Simmons, Raymond Briggs (Ethel and Ernest), and Brian Talbot (Grandville, Alice of Sunderland), are all published by Cape.
The retirement of publishing director Dan Franklin in 2019 cast a bit of uncertainty, but the ongoing input of new publishing directors Hanna Westland and Franklin – Jonathan Cape’s graphic novel line has been revitalized and branded as a cape graphic novel. They will perform a convention circuit and appear in the Docket in November in the thought bubble.
As Abechdel’s UK publisher, it was probably easy to hold an event featuring her latest book, the ones used, so all tickets that the author himself flew around the UK featured in Allison’s name were sold out completely on the Foyles website, her headline talk in the evening was stuffed.
The lecture itself is a combination of career overview and thought processes that Underlay spent, and according to Beckdel, it began as another non-fiction work before it turns into the uncertainty of her career and the current political environment in the United States. Particularly excited, Beckdel was paying attention to 20 years later (1983-2008) and revisiting the cast of the popular long comic strip levee. Bechdel is already considering a sequel.
Earlier in the day there was a rather impressive mix of talks and signatures. The first was a panel hosted by Gabi Putnoki from the graphic novel reading room. About observational humor and writing life featuring Becky Barnicourt (the cry of a baby crying), Matthew Dooley (Flake) and Simone Leah (Fluffy). Each of them talked about the task of stealing the real world, gaining experience, and finding surreal comedies inside. Barnicoat’s graphic novel adds a dose of “body terror” to the first parenting experience. Dooley, meanwhile, takes the familiar settings and uses them to create sitcom-level farces. Meanwhile, Leah brings the long-awaited sequel to the cult hit 2007 graphic novel Fluffy about Bunny, whom he believes to be a human child. When it feels like it’s getting worse, it’s called a way to make life better. Lia’s fluffy sequel is not scheduled to be released until September, but the Cape Graphic novel had several pre-release copies on sale that day (it was snapped up soon).
Another author showcase was writing hidden history with women. There, Lizzie Stewart interviewed Cape graphic novelists Anna Trench and Miriam Gold about telling life-based stories of women. Trench’s graphic novel Florrie is about the great nie who discovered that, before the ban of the Football Association in 1921, a recent deceased relative as a female soccer player in the early 20th century, leads a hidden life.
Gold’s work, on the other hand, is completely non-fiction, depicting the incredible life of a war refugee grandmother, who was one of the first female doctors at the dawn of the British National Health Service. Gold depicts her grandmother’s stories and relationships through a mixture of photography, collages, illustrations and text, creating unique graphic novels at home with a novel line of reflective cape graphic novels.
The rest of the day was Dominic Duon’s workshop on naked bones in graphic novel storytelling, a way for Cape to reach out and support new talent. Introducing nuts and bolts in scripts, outlines, page designs, layouts, and more. Duon has a graphic novel that came from Jonathan Cape in the not too distant future.
Dominique Duon shows nuts and bolts making cartoons
Duon’s workshop was complemented by an industry panel hosted by Paul Gravett. Paul Gravett featured retired Jonathan Cape Publishing Director Franklin, literary agent James Spacman, and two successful Cape Publishing, Talbot and Isabel Greenberg (Airy Airs of Early Earth, Young Hug). Collectively, we had an interesting take on the emergence of the Cape graphic novel line, the trials being published, what Cape is looking for in his work, and the creative process. Talbot also has a prequel to Grand Bill, a Stanford Hawksmoor casebook that will come out of Jonathan Cape in November (probably a North American release from Dark Horse).
On the other hand, if the schedule wasn’t packed well, there were two signature sessions in the graphic novel area downstairs at the Bookstore featuring Brian & Mary Talbot and Joff Winterhart.
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