“She is a little girl because men are denial of little girls. So she will not be visible. She is the kindest person we can imagine.
What I’ve always loved about Wonder Woman is her sense of vulnerability. For decades, Wonder Woman was a face of emotion. She fights for love and compassion, and does so without judgment. Their moral compasses are directed in a variety of emotional directions, which distinguishes her in comparison to her DC compatriots Batman and Superman. Wonder Woman will want to fight for you and have moments of crying.
So you’re probably thinking, why open such a review? Well, that details are somewhat lacking specifically in modern interpretations of the characters. Wonder Woman evolved in a way that often appears to be fighting for the fight, not as a caring champion for people. But Kelly Thompson and Hayden Sherman bring compassion and moral maturity in this week’s Absolute Wonder Woman.
Continuing last month’s installments, readers are deeply trapped in Area 41, a government facility built to reflect an old mythical maze.
It’s not a problem for Wonder Woman, right?
Well, a bit.
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Diana is a nymph of Nayad and struggles to protect the occasional Muse judge and the brave Minotaur Ferdinand. From the Batt, these new characters are amazing, and their traditional mythological tales liven up the struggle that follows Diana and the flashbacks that dive deep into the burden of Hecate and his mother warrior and mother warrior, as she tries to save as much as she can. It is a psychological and emotional anatomy that has not been seen in the characters since the crisis, and overall it looks refreshing.
Thompson understands that the core components of every version of Wonder Woman must be a knight or hand on her shoulder, even when she needs herself. This is a much-needed dissection for a character in this modern era, and Thompson continues to show it all the time.
However, if you have problems writing this time, then every panel blocking in the script is related to the panel. During the flashback sequence, Thompson shines when he fully utilizes the mythical aspects of Diana’s upbringing, but when he tends to go back to current time, he tends to feel sick from time to time after the flashback is a bit off, as if Thompson had lost some speed.
This really doesn’t affect the story, but it’s a smaller error that can be seen in many comics. After that, Thompson’s script is pretty and Sherman can continue to have the best experimental panels in the absolute universe.
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Speaking of Hayden Sherman, it’s no surprise that they quickly surge up the chain and become the third superstar artist of the modern day, and their design work and actions are constantly taking their breath away. It also shows that the future of comics lies in experimental creators such as Shaman. The flashback sequences highlight the beauty of Shaman’s design work, as they are a bold love letter to Greek mythology with every glimpse of Diana’s past.
Overall, Absolute Wonder Woman #10 is a great problem. Minor issues aside, this continues to be a powerful series and honestly you can read my favorite absolute titles. As a reader, it’s a fun and crazy ride. As a reviewer, I have to praise the series as a love letter to Wonder Woman and the superhero comics in general. I can’t wait any longer.
“Absolute Wonder Woman” #10 is the interpretation we need
Absolute Wonder Woman #10
Absolute Wonder Woman #10 is a great problem. Minor issues aside, this continues to be a powerful series and honestly you can read my favorite absolute titles.
Shaman’s art is breathtaking, especially during the flashback sequence.
Thompson’s knowledge of Wonder Woman and her exploration is very necessary in this era of comics.
Love for Greek mythology is contagious and continues to create a strong sense of storytelling.
Thompson’s script feels somewhat unstable in some areas, but does not negate the impact of the issue.
